Reconstruction of “Honmaru Goten” 
of Nagoya Castle


  The former national treasure, “Honmaru Goten(Main Palace)”of Nagoya
  Castle was destroyed by the air-raid on May 14,1945.
  It was a traditional Shoin style establishment which symbolizes the
  samurai culture of late Edo era. If it existed today,it could stand
  shoulder to shoulder with the Ninomaru Goten of Nijo Castle in Kyoto,
  a national treasure.Its interior was also phenomenal in terms of
  architectural and artistic value.
  There are people who have been working on realizing the reconstruction
  of Honmaru Goten. Mr. Fujiwara, President of APS International Inc. is
  one of them. As an established architect and passionate art lover,he is
  showing strong interest in it from many years ago and producing events
  to promote it.

     


 Nagoya Castle and Honmaru Goten 

  Size
  Nagoya Castle was built in 1615 by the order of the Shognate Tokugawa
  Ieyasu.It was the transition period from the feudal to peaceful time,so
  the castle has quite an elegant look and much work had been put to the
  construction of Goten(lord's residence and guest house). The castle's
  floor arce is 3,390,000u, the largest ever in history. Goten takes up
  3,300u of it.

  Museum Quality
  The interior of Honmaru Goten was a phenomenal collection of art works.
  The space surrounded by the transom windows,the ceiling,and the sliding
  screens painted by Kano Tanyu (an outstanding painter of the time) and
  others had the clear concept in accordance with the purpose of the room.
  Architecture, art and craftsmanship were integrated in the room and
  being there would have been just like being in a museum.
  Fortunately 1,047 sliding screens were taken out of the castle before
  the air-raid and remain in tact. Now what we need to do is to appreciate
  them, but not themselves alone but in the space where they should be.

  Toward the new creation
  Some people say that castles were built merely to show off the anthority
  of the feudal lords. However, the skill and energy that carpenters,
  painters, curvers, and craftsmen poured into appeal to us beyond the
  intention of those lords and time.
  The traditional culture is valuable because it expresses the spirit of
  the era and even stimulates the modern creation.
  As widely known, the number of craftsmen who possess the traditional
  technique is decreasing rapidly. They say that the reconstruction of
  Honmaru Goten is possible but it would take ten some years.If it is
  undertaken immediately, still there will be time to learn the technique,
  record,and make it open to the public. We should restore and preserve
  the Goten as the world's asset to be shared. We really want to make it
  happen.

  In the past, the authorities or the wealthy few supported the culture to
  flourish. We think now it is the time for the citizens to take turn and
  be the patron of the culture.


Japanese